Products displayed in these tables are not for sale unless otherwise stated. They are included here merely for informational purposes and as examples of items on which the marks are found. Any photographs or other information on this website may not be copied or used by others without our prior permission. Viewer contributions are acknowledged accordingly and are also protected under our copyright notice and may not be copied or used by others without our permission. We welcome and appreciate your submissions. Please be sure to tell us how you would like to be acknowledged for your contributions — by full name or by initials only, or even anonymous, although we do prefer first and last names. We also like to know your general location such as city, state, country, region, etc. We will honor your wishes and appreciate your help. In business from under the name Abdingdon Sanitary Manufacturing Company, making plumbing fixtures. The name was changed to Abingdon Potteries in
Jema HOLLAND 170 PINK LUSTRE FLAMINGO fish figurine vintage 1950s bird heron
Lusterware Upper part of the mihrab decorated with lusterware tiles dating from the 9th century in the Mosque of Uqba also known as the Great Mosque of Kairouan, Tunisia. The first use of lustre decoration was as painting on glass. While some scholars see this as a purely Islamic invention originating in Fustat ,  others place the origins of lustre decoration in Roman and Coptic Egypt during the centuries preceding the rise of Islam.
After few unmarked pieces can be correctly attributed to Wedgwood. Beware Three letter impressed mark (dating code) introduced for earthenwares Turquoise jasper introduced ‘England’ mark introduced Incorporation of firm as Josiah Wedgwood and Sons Ltd.
A more advanced variety of handmade pottery, hardfired and burnished, has proved to be as early as bc. The use of a red slip covering and molded ornament came a little later. Handmade pottery has been found at Ur, in Mesopotamia, below the clay termed the Flood deposit. Perhaps the most richly decorated pottery of the Near East, remarkable for its fine painting, comes from Susa Shushan in southwest Iran.
The motifs are partly geometric, partly stylized but easily recognizable representations of waterfowl and running dogs, usually in friezes. They are generally executed in dark colours on a light ground. Vases, bowls, bowls on feet, and goblets have been found, all dating from about bc. By bc pottery was no longer decorated. Earthenware statuettes belong to this period, and a vessel in the Louvre, Paris with a long spout based on a copper prototype is the ancestor of many much later variations from this region in both pottery and metal.
They provide the first instance of the use of tin glaze; although the date of its introduction cannot be certainly determined. The presence of lead in the blue glazes derived from copper suggests that the lead may have been added deliberately as a flux, and that this glazing technique, like that of tin-glazing, subsequently was forgotten—to be recovered only at a much later date. In Egypt, pottery was made in great variety in the predynastic period up to c. The earliest forms of decoration were geometrical or stylized animal or scenic motifs painted in white slip on a red body.
There is comparatively little variation until the 26th dynasty c.
Enjoy five-star comforts at home 13 Jan As a social and historical record of the past years, and a tribute to the Potteries, once the heart of the Industrial Revolution, it is unbeatable. As a collection of art, pure and simple, it is unmissable. There is still a sense of complete disbelief that this could happen. They were enlightened and patriarchal employers: In the Sixties, the company was floated on the Stock Exchange and an ambitious managing director, Arthur Bryan, set about expanding it.
At the same time, family members found themselves eased off the board of trustees of the museum.
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Thomas Brannam took over the lease of a pottery at North Walk. Like other pottery firms of the time, the firm originally made utilitarian wares such as household items, floor tiles, bricks. This was their bread and butter trade, although one of their decorative jugs secured a medal at the Great Exhibition in , in Thomass son, Charles Hubert Brannam, left school at age 12 to start work at the pottery.
Charles won a prize for art at school and also won the Queens Prize for Drawing in Initially educated in the theory and practice of ceramics, he was encouraged by a dignitary, William Frederick Rock. In he persuaded his father to him to produce art ware. His father agreed on the proviso that Charles paid for the materials he used and he recruited skilled designers, but also continued to throw the ware himself. In he received an order from Queen Victoria which resulted in excellent publicity for the business, in Charles registered the name Royal Barum Ware and ensured it was sold by several London firms including Liberty.
Charles handed the business over to his sons, Charles William Brannam, Brannam and Sons became a limited liability company. Jacks son, Peter, carried out considerable modernization in the post-war period and they found the old Litchdon Street premises too cramped for their operation, and in moved the company to a site on the Roundswell Industrial Estate. Despite the fact that no member of the family was connected with it, it was still called C. The original premises in Litchdon Street partly survive now with their terracotta detailing, the company has used many marks over the years including C H Brannam, Barum, and Barnstaple.
The companys collection of works was purchased by the Museum of Barnstaple.
Antique Wedgwood Pottery
Print The clever folk at Bisazza have taken and ancient technology and fused it with 21st century beauty to create their latest masterpiece, Frozen Garden. Designed by the astonishingly versatile and internationally respected Dutchman Marcel Wanders, the new range really created a landmark in ceramic wall cladding. A clever, bold combination of hexagonal tiles, geometric patterns and simple, modern flower details, plus the tactile, three-dimensional shapes, conjured a collective gasp of admiration from the interior design community.
In many ways, Frozen Garden is an experiential ceramic design — you need to see and feel it, and watch the light flow around the tiles to fully appreciate its impact. This is why the collection launched with just two colour options — pure white and a rich, glossy black — enabling designers and their clients to truly enjoy the form.
Lustreware spotted by Michael Penny in Findlay Antiques in Toronto. Lustreware available at Ben Pentreath LTD. in London. Clockwise from top: Lustreware Cup & Saucer, Lustreware Bowl, Lustreware Cup & Saucer, Gaudy Lustreware Mug.
Do you want to make a comment? A site guestbook is here. There is now a 2nd pottery page , here. And in fact a 3rd pottery, page , just for Sunderland verses, available here. In these pages I will advise such data as I locate about the potteries of Sunderland. As for other pages on this site, this page IS very much a work in progress! And, so far, at least, has made heavy weather of learning about the whole subject of potteries.
Pre-modern wares[ edit ] Lustre decoration was first used as a glass -painting technique. Staining glass vessels with copper and silver pigments was known from around the 3rd century AD,  although true lustre technology probably began sometime between the 4th and 8th centuries AD. The reminiscence of shining metal, especially gold, made lustreware especially attractive.
royal doulton. The Royal Doulton Company was an English company producing tableware and collectables, dating from Operating originally in London, its reputation grew in The Potteries, where it was a latecomer compared to Royal Crown Derby, Royal Worcester, Wedgwood, Spode and Mintons.
Modern lustreware[ edit ] Lustreware vase by Clement fr: Massier , circa Metallic lustre of another sort produced English lustreware, which imparts to a piece of pottery the appearance of an object of silver, gold or copper. Silver lustre employed the new metal platinum , whose chemical properties were analyzed towards the end of the 18th century, John Hancock of Hanley invented the application of a platinum technique, and “put it in practice at Mr Spode’s manufactory , for Messrs.
Daniels and Brown”,  about Very dilute amounts of powdered gold or platinum were dissolved in aqua regia  and added to spirits of tar for platinum and a mixture of turpentine, flowers of sulfur and linseed oil for gold. The mixture was applied to the glazed ware and fired in an enameling kiln, depositing a thin film of platinum or gold. Depending on the concentration of gold in the lustring compound and the under slip on which it was applied, a range of colours could be achieved, from pale rose and lavender, to copper and gold.
Flint The creation of tools utilizing the natural environment is what distinguishes man from animal. What was once created using stone, wood, and bone has, over the centuries, evolved into metalworking and modern-day plastics. But it is the earliest tools, those carved from stone, which allowed mankind to conquer the natural environment and to prosper. Holding this flint arrowhead in our hand, delicately carved to a fine point thousands of years ago, we are holding the nascent breath of civilization.
Tools allowed mankind to utilize his natural setting to its fullest potential, to altar the surroundings to suite his needs, and to create his own collective habitats that would eventually evolve into great cities. An arrowhead head like this one, when tied securely to a wooden shaft, could have been used to fell a fleeing prey or to spear a fish.
Lustre Ware Originally Published THERE is scarcely a china collector who does not number among his or her possessions at least one piece of lustre, which ware forms a group of its own in English pottery. The process of making this ware was simple enough, consisting in dissolving the metals employed by chemicals and forming a solution which could either be applied by dipping or with a brush. Who first invented, or rather applied, this method of metallic coating to English pottery is not known.
Admirers of Wedgwood claim that he first used gold as early as for lustring picture frames. Other authorities give the merit of the discovery to John Hancock while employed by Spode, to whom he was apprenticed in Be this as it may, by R. Frank was making copper lustre ware at Brislington, near Bristol, England. Wilson, in Staffordshire, was making it in
Art Deco Wedgwood breakfast service 1940’s in Man Friday pattern x7 pieces
Lustreware What to Look For Of course, there is no right or wrong way to collect antique teacups. They are a wonderful collectible because of the infinite variety and the low cost of the items. You can find teacups of many vintages at local antique shops, thrift stores, and garage sales. If you have trouble finding teacups locally then you are sure to find an unending source for them on eBay. There are a few things that you should look for: Repairs are sometimes hard to identify but a thorough inspection should let you know if any repairs have been made.
Shop the Porcelain Pitchers Collection on Chairish, home of the best vintage and used furniture, decor and art. ʺW × 6ʺD × ʺH This is a beautiful Staffordshire copper Lustreware pitcher. It was acquired from an estate in the UK and is in excellent condition. with a porcelain inlay in the pewter lid. Dating to about the s.
The original manufactory was a pioneer of new products such as those modelled by William Greatbach , and those coloured with lead glazes developed by Josiah Wedgwood during his partnership with the Staffordshire potter Thomas whieldon. By the mid thC antique Wedgwood products ranged from brooches and snuffboxes to statuettes, plaques and tablewares. It was widely copied and it exported all over Europe and the USA. Right down to the time of the merger with the Waterford Company.
Wedgwood was a constant innovator, a thinker, and a scientist. In he perfected a tool for measuring heat in kilns. On the basis of his work Wedgwood was elected to the Royal Society in